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Genre: Deep House Label: Fat City / Prime Numbers Release Date: December 2009 Productions: Trus'Me, Dam Funk. Featurings: garden lights Amp Fiddler, Paul Randolph, Pirahnahead. Remarkable prodigy made in England, Trus'Me distilled for some years now a deliciously deep house, worthy of the best hours of Engineers Detroit Moodymann. After a first album spent enough incredibly unnoticed on our land, the man returns with an album in solid cast and deeper (Amp Fiddler, Dam-Funk, Paul Randolph, garden lights Piranhahead). First composition and the first bang of the "In The Red", with "Can garden lights We Pretend" recovery masterfully groovy classic sweet Bill Withers, with the ever soulful Amp Fiddler, it's always good to hear as it is rare. Same combo on the next "Put It On Me" incredible pearl deep as hell to blush any producer House of the Motor City. Trus'Me does not stop in so good way, and we strikes again with a nice slap "Bail Me Out", a masterpiece of funkyness 80's in collaboration with the inevitable garden lights Dam-Funk, which demonstrates once again his mastery of retro sounds. Definitely inspired as ever, English then continues his demonstration quietly. We appreciate all the charm of "Need a Job", which sounds like a forgotten 2000s through charmers brass classic, and infectious groove of "Sucker For a Pretty Face", soulful desire garden lights to, well served by a good performance the song of Paul Randolph. It all ends with the hypnotic "Sweet Mother" umpteenth musical manifestation of his spiritual master and captivating atmosphere. Except perhaps the eponymous "In The Red", a bit too messy and despite vocal pioneer Pirahnahead, this second LP, despite its short duration, wants perfectly homogeneous and incredibly garden lights addictive. Trus'Me therefore proposes that with "In The Red" everything you love to hear on Deep House. And, like his fellow Four Tet and Floating Points, he proudly back on the torch of a kind fell into a dangerous monotony, and there breathes a necessary key